Drowning in a stampede
of emotionally inflated details.
They are not
just being themselves
but also representing
historically and histrionically
the burden of all of like kind.
This is the handling
of all preceding details
by a set of invisible rules
that take their toll
as seductions
of constant curiosity.
Yet when these emotions
actually and fully occur,
they are pulling attention
in all directions
with lurid
unconscious attachment,
unannounced but fiendish,
as lingering delights
with dangerous
but quasi-memorable pasts.
I am unable to gasp
for at least one breath
the light of pure acceptance
but duly notice,
“a cleansed soul
is not an innocence”,
is now more my style of closure.
There is more the purging
of disguise and diminishment,
as a place in a line of thoughts
that reappears
with original distain and distaste.
Sure these are old thoughts
never the less
for this version of them
and the deeds they use to do,
I am thinking of them
quite differently for now.
My sensitivity,
without a logical leash,
is over-feeding me,
over grazing and over done.
Idealism is forcing me
to stand against the internal rain,
to shape my words that functioned
like a form
of sarcastic complimentarianism
but as a self-punishment to hear
although well earned
and decorated
with hidden embarrassment
for then.
There were slim hopes of avoidance
and with frequent visitations
to the same lost place within
it was as if privacy
were the addiction itself.
For me, it became as if
a dog’s tail, (mine), could be perceived
as its tongue
if my chase circle
were tight enough.
And I would historically say
to myself,
is there safety for me and from me
if this could only be seem as a blur?
Is this admissible
as a cartoon character
out of context,
unceremoniously
running out of time?
Yes, that would have been
my death
as we would speak of it
for now.
But I am alive
yet vacant to that task
and go on
with our conversation like this
as if it says something
other than what you overhear.
What I am now saying
for myself after all
I have learned from this,
is that
“context is a lost soul
in overcompensation
drowning in details,
just being itself to death . . .”
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