reality is the on-stage of experience
as the compositional pressure of being a person
in the wardrobe of obligation, habit and projection
presenting to the audience of expectation all around
using the appropriates of posture and the delivery of lines
being caught up in the dance of the interactionals
and the reverie of display and pronouncements
yet there is always the backstage of self
the inner dialogues of pros and cons
the resolutes of stances that come and go
without ever the outer appearance as evidence
the inner translation of what reality appears
versus what it personally means in a private sense
the self audience is not about applause
and hardly authentically about approval
internally it all is what it is, as it comes to be
and not a clue as to how
any manifestation that comes makes it different
without the pretend privately revealed within
reality is so onstage . . .
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