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Sunday, September 30, 2018

oh for the grief of it 9/30/18


grief features two kinds of imperfect.
one of frame and one of presence.
the one of frame is the assumption 
of living separate from significant others 
as styled by most of our methods for knowing 
and appearing to be 
who we then claim we are.
the one of presence is 
not being the ongoingness of presence 
but being the capture of the necture of presence. 
as if by storage, 
we have the richness of life 
in a personal memory bottle 
that we can sip in times of isolation or boredom.
grief assumes the benefits of mindfulness 
as if understanding is the personal guide. 
the meditation of grief pleads 
for the apparent missed opportunities to go away 
but also begs for the memories 
to be a form of private forgiveness
in the sea of unrelenting sorrows. 
this is a futile spend of energy 
as if correction comes.
that emotions are heightened in this process 
has its worth but not as this recoil, 
but more so as an opportunity 
to discover an emotional richness 
that could be available ongoing 
every moment, present as an awareness. 
and a blossom of being grief 
could be that messenger 
even though culturally we are trained away 
from that possibility. 
grief frames the death of the expected, 
the demise of the familiar 
and a false sense of closure. 
grief assumes a posture of presence 
that falsely reflects the past, 
in denial of the present 
and a false construction of the future. 
grief admits to the depth of the connections 
but fails to creatively participate 
in the other levels of ongoingness 
now featured 
in the privacy of the individuals involved. 
we serenade as if departure is what is happening 
instead of the transition 
to a clarity of spirit now ordained.  
grief is sacred as a ritual 
for transcendence and transformation of the self 
and the circumstances as they have arisen. 
grief has the potential for depth of soul 
in the deepest sense of energetic honesty. 
but if played as a loss, 
may the burden then continue 
as if to immediately cleanse one’s heart . . .

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