‘Eventfulness’ made me
into a series of self-Polaroid’s.
I now pander memories
of myself to others as me.
I inadvertently wound up
as a poser.
I made myself
historically image lasting.
I became
a fifteen-minute impression
on others
and they stuck me with it,
now I am my handle.
I am a sort of billboard
to others as a drive by.
I am at the will-call
of their memory
when we meet.
People kindly refer to me,
even in my presence.
I am a constant reminder
of something from the past.
My current self
has a closet life
amongst strangers.
Others have me frozen
into a timeline of recall.
The weight of their memory of me
is my burden.
I am the exile of notoriety
when entering the room.
I am commonly famous
in a small way.
I have been betrayed
by their take on events in my life.
Their version of me
is an open book,
so they say.
I am an animated still life
always coming into frame.
You can look me up
and not know who I really am.
It is a form of identity theft,
for stealing my aliveness.
I am a compromise away
always from this moment.
A slow suicide
by celebrity status is implied.
I am an untouchable
by prominent distinction.
I am the living shame
of fame personified.
I am a double agent
leading a monastic inner life.
I have been taken out of context
by recognition’s design.
I am a symbol for something else
in their mind’s eye.
I am kept hostage by this . . .
my own embarrassment
and of this betrayal as it were,
‘Eventfulness’ is ever so slowly
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