why flame is so much more of magic
in the schemes of self-made ascension,
or in the subterfuge of material conversion.
for the routines and reflexes of the flicker,
as if the dance of the singular,
as soul in physical conversion.
are only listening to the conversation
of the burn,
that seems once-sided with agony expressed,
yet silence pronounced is in the surrender.
god would want it that way.
that is, the god of religion governing earth,
if that's a logic to be working with.
but flame, what would I ask of thee?
ever curvaceous of the face to face,
in such animation,
from an intimate blue
to a jocular orangish of the flicker,
as if sending off heat-wishing
for ascendency.
yet the surface of all of this
does not reveal the inner work in progress,
the inner dialogue of material
into the conversion of the commitment
to the heat-yell of the burn.
all of the moisture present insists on leaving
way before any of the real miracles occur.
wood-burn is a tall thermal story
because it has gestures
and postures and surrenders.
wick is just a professional at a gig,
a purposeful martyr dedicated to the cause,
where all the ceremony
around candle presentation
is spacially polite.
I wanted wood stock,
as kindling in a room-full
of heated conversation,
where so much magic is in a visual uproar,
where it's like a translation of thunder,
done without suddenness or a bark to it,
as almost a confusion
between a distant waterfall's muted sound
and the kind of flame action
of a desperate commingling
but not yet a bonfire freestanding.
quite simply and symbolically,
just a flame,
as if an innocent child's face
asking an earnest luminous question
that so divests the subject matter
from its substance.
what flame-magic that disappearance offers.
I so believed in substance.
yet all of these flammables seem like friends,
conversations of substance as givens
and yet subject
to the divine mystery of flame.
flame is so much of a mirror to me.
I can relate so much of my perception
to a flame.
experience is all flammables in parting.
flame is an honest god,
for I only have memories
as becoming distant embers . . .
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