the self to the surround

the self, 

relative to the surround.

the self, 

as solicitous 

from the immediate surround.

the self, 

as tactile 

and pronounced from the surround.

the self, 

as cogent, 

within the means of the surround.

the self, 

as emotionally expressed 

in the surround.

the self, 

as mastery over 

and of the surround.

the self, 

as understanding the methods 

of the surround.

the self, 

as delighting, 

by the staging from the surround,

the self,

as embellishment 

within the subtle evidence around.

the self, 

as the collective, 

getting the surround all together.

the self, 

as an element 

participating in the bigger surround.

the self, 

as the novel approach 

to the obvious surround.

and the self, 

as the audience 

to the movie 

in the surround . . .