Entering the house of the mind
by a sequence of unlocking images,
keys in on the subtle waves
of facial composition
to be watched unfolding.
Against this backdrop
of distant memories reflected,
what subtle recognitions there are
are read off of the face
as flashes straightaway.
Not so much that the mask
of imposing disposition drops
or that the shadows
of failed expectations have past
but more of a forest for the trees
if you please
of timelessness in the eyes.
Look into the eyes
that tirelessly endure
any inner whispered account.
Eyes that drink from beyond
and broadcast
from the depth of being
steadfast and exposed,
with radians occasionally flying out
like transparent hi-lighter birds
from cathedral depths within.
And lips that bare witness
to these occasions
with permission’s conscious repose
as a relaxed slung double hammock
of embrace,
not so much of smile intent
but composed of strength
set aside as comfort residing.
There,
in the mythic water bearer pose,
from forehead to chin,
to be perceived as bringing forth
with replenishment to share,
and also as coming through
from afar with afterglow.
There is broadness of face to this,
to effortlessly endure
with a quiet uproar of openness.
For there is no f-stop . . .
no aperture . . .
no in-line cross hair images
that need be by brought into frame.
There, just the indwell
of an all-space facial hologram,
without ego self-dimension’s cleave
of reservations without finale.
Just home . . .
face reflected,
home . . .
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