the tactile skills of emptiness

the tactile skills of emptiness 

as the art of becoming beyond whole.

to that which seeks essence without frame,

that which finds immersion instead of audience,

that which is additive instead of substitutional,

where expansive is inclusive,

where a collection of parts 

gives way to a greater whole,

where fragrance becomes more of an atmosphere,

where self loses a sense of separate from,

where the wholeness present,

becomes a sensory means,

where mediumship leaves audience responses,

where intent looses its sense of self as directive,

where emanative is a forthcoming 

rather than the passing of time,

where the drawing power 

becomes the chrysalis into broadcast,

where features leave their frames 

to become presence pouring,

where captivating has lost its sense of capture, 

for the energizing sense of being,

where one is not conspicuous,

but the medium of inclusive, 

where one becomes unbounded 

from the sense of separateness, 

from the surround. 

the tactile skills of emptiness 

as the art of becoming beyond whole.

for when view shifts into vibrational movement,

when interactional becomes a liquid state ongoing,

when environmental becomes a sensory means,

when mind with flashlight, 

gives way to feel as fluidity

when naming gives way to enthrallment,

when rapture becomes a thought state, 

as emotive presence,

when consciousness has gained enough residence, 

but not projective as a wardrobe,

when one becomes aware 

of a greater sense then whole,

when fascination looses its cutting edge 

usage of allure,

when enthrallment becomes its own 

ongoing charisma,

when the trance of time looses itself 

as a frame of reference

and when sensory becomes an expansion 

of inclusion into a greater whole,

these tactile skills of emptiness 

are, as the art of becoming 

beyond the artful sense of whole . . .