that which is of itself
is finding a means of going beyond
that of its containment,
seeking a greater might
that yet comes to a subtle fruition,
is a greater sense of the whole,
without the grossness of itself in sight.
for it to realize
its essential integrity of being,
gives a greater consciousness to itself.
to go vast by alignment into the collective,
into a sense of wholeness,
that was never from before
yet has always been totally true.
all of everything reaches for that oneness.
and even beyond the evidence of display,
to be a clarity of connectivity,
to be through the presence of the all,
yet oneness before
ever in mass of declaration.
this is the energetic environment of means
that secretly lives
behind and within the itself.
we are all there,
as well as all of nature that we perceive.
each apparently on specific timelines
of carriage
but ever so the oneness
that has declared as mass,
allowing form to speak us
and animation to dance us along.
for every stage is a show of itself
but not always seen as such.
some means have the patience of concrete
while others have nanosecond lives.
we, as a species, somewhere in the middle,
strung between spores and geodes,
between deep sea creatures
and updraft thermals.
humans bury the axe of being
as if stalwart and relevant.
we have sigh and impatience,
fury yet confined.
we claim to be the ink of the story told
but the book of the material plain
belongs to mass
and the expression of nature.
we are just recently along for the ride.
our species pride is only a mirror
of self induction.
we are still foreigners to this land.
what wisdom gained,
may die in the hearts of those who matter.
all is molecular as if mortal.
we invented the genius of intelligence
and then suffer the consequences.
what is confluence in nature
is confounding to us
as masters of our world.
we will all sleep on it, so to speak.
maybe we dream ourselves into alignment
and yet still wake to another day.
we are exiled to a selfdom
yet blessed in disguise
to that which is of itself
until it is other wise . . .
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